C.V.
| education: | music studies in Iran and Sweden university exam 1980 University of Linköping art history and litterature, 2 years University in Gothenburg exam 1999: "fine art and new media", Valand Art Academy / University in Gothenburg |
| 1987 | "Drummel" conceptual music piece for "the Hjärter Dam project" at Draupner Gallery, Gothenburg |
| 1988 | Lingvallen Computer Studio, cooperation with different musiscians and composers |
| 1990 | "The Werner von Sceele Fossil Collection" , Kulturhuset Stockholm |
| 1990 | sand paintings and poetry," Korsning" , Norrköpng Art Museum |
| 1991 | Interactive video work " Sångstycke för två monitorer och 22 på bänkar sittande" ( Song piece for two displays and 22 persons on benches) Norrköpings Konstmuseum, swedish contribution UNM -festival Copenhagen ( with Staffan Mossenmark ) |
| 1994 | Launches the exhibition cycle " Works from a Fire Expedition 1989-94" at Mors Mössa gallery, Gotheburg with ashes from a boat - a classic methaphore for love and death. First performance "music for fire and music for wood" the entire cycle was finally exposed at LUNDS KONSTHALL 2001 |
| 1994 | "Hemma Hos" Linderoth/Fornander one of 12 exhibitions among others like Maria Lindberg, Ernst Billgren, Mikael Olofsson, Ola Åstrand, Jörgens Svensson , Elin Wikström a.o. (initial concept by Peter Uhr inspired by underground cold war Berlin galleries) |
| 1994 | Die Werkstatt, Copenhagen ” White piece ” |
| 1994 | Requiem, County Museum Östergötland |
| 1995 | "Artists´room service, Art Motel" first swedish launch-Sollentuna-march 1995. Concept Peter Uhr |
| 1996 | ARTISTS´ROOM SERVICE: (concept: Peter Uhr - production: Staffan Mossenmarken) contextual exhibition with a human message, 14 wellknown swedish artists enhances free service at Salvation Army owned City Hotel in Gothenburg. (Annika Eriksson, Jörgen Svensson, Jan Håfström, Stefan Linderoth, Ingela Bohm, Leif Elggren, Lars Wulcan, Staffan Mossenmark, Lena Danielsson, Elin Wikström, Anita Gordh, Malin Lobell a.o. ) |
| 1996 | ”Chat with Bats” , Malmö Art Museum, site specific and interactive sound art. Electronic communication between upper floor gallery and underground floor where the museum have nightliving animals and their keepers. |
| 1997 | ” White Peace” -an installation with the last book I borrowed (the bible!), white book ashes in glass jars on a ” Billy ” book shelf, A choir piece as a sonic scribble board with gathered voices building mindbreaking harmonies and musical structures created by chance - a comforting wordless requiem with the voices of friends relatives , fellow human beeings , swedes, foreigners . A confessional booth , A white linen suit, The show was on the City Gallery in Linköping on easter time after the historic fire that destroyed the Library in Linköping, Sweden (Bildjournalen, national television)
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| 1997 | ” Red Peace ” Mörs Mössa Gallery Gothenburg |
| 1998 | lectures at the University of Linköping/Campus Norrköping |
| 1999 | FIRE SYMPHONY, Firework Edition Records, Stockholm ( release at Fylkingen, Stockholm ) (excellentely reviewed in double issue 99/2000- The Wire, London & Bad Alchemy, Germany) Represented by Modern Museum, Stockholm |
| 2001 | FIRE HOUSE at Lunds Konsthall (City Gallery). A diary, artist´s residence and hostel. En vagabondistic and authentic narrative project from different continents and decades with methaphysical over tones that moves between text, sound, tone and autentic objects from the artist´s life building significant metaphores The interactivity ritualized the project. The customers could use the guest room over one night or borrow different games, use the wine bar, or the cafe, or join the artist for a chat in the atrium under the fig tree with it´s utterly slow ly rotating house with glass roof where the artist lived and slept under the stars . Lunds konsthall was my sole home and a concrete youth hostel as well l-which could be used by anyone - some did so. I remember Emma and Pelle who heard rumours about the free service on the bus to Lomma. I remember Johan travelling from Berlin and Helena and the beautiful Madeleine who used to drop by for a badminton match. I think that FIRE HOUSE philosophically was an antithesis to the previous century regarded as the century of speed. In FIRE HOUSE the audience was slowly strolling around in circles because of the inner architecture. The rotating tape recorder and the record player in the guest room and the rotating man and woman on the filmloop and the house on the atrium on a even slower circular move were all describing slow cycles at varius speeds as a huge time piece or as a methafor for the cyles of life, earth or cosmos itself. Anyhow threre might have been some highspeed action during the badminton games in the entrance hall |
| 2002 | I move to Berlin/Prenzlauer Berg, working in a sound studio with text och music experiments |
| 2003 | I start cooperation with ” Onsala Space Center” and ” Rymdbolaget” I finally managed to transform the sounds from our galaxy´s newly localized centre and black hole : ” Sagittarius A * ” with the aid of the satellite telescope ODIN. This is a stellar churchyard because all stars finally will collapse into the hole. A cosmic metaphor for love and death - an elegy. |
| 2003 | Kulturhuset, Stockholm. Eleventh Song (Elfte sången) - texts and objects, july-august |
| 2003 | Gotheburg City Library Eleventh Song (Elfte sången) - texts and objects, october-november |
| 2005 |
A MINUTE´S SOUND site specific sound art at 6 Vadstena churches + CD (www.fireworkeditionrecords.com)
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| 2006-08 | Art critic in Berlin for ( www.corren.se) |
| 2007-08 | Site for meditation. County Museum, Linköping (acuisition) |
| 2009 | MEGAPOLIS, site specific free filmmaking-objects-scenic poems Strömstad Konsthall (Lokstallet) August 8-30. |